The actions and inhabitation of the space persist via the extended presence of props, sets, costumes and make up. In Genesis 2.1, the objects in the space extend out from its filmic counterpart. Each element in the installation creates a set for a live performance, shaping a meta-narrative. The work blurs the line between real life and simulation. The work finds its place in a world defined by new patterns of human communication, automation, and the commodification of our emotions, that helps to heal wounds.
Originally presented at Kappatos Rooms.
Curated by Vassiliki-Maria Plavou.
St. George Lycabettus, Athens, 2019.